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Here’s hoping you’ve kept the majority of March free, because your TV schedule is going to be stacked. Calendars at the ready, guys and girls – here’s every show you need to know about in March.

Binge ‘n’ chill: All the March TV premieres and returns

March TV premieres and returns tend to arrive in a rush, and 2018 was no exception. The calendar filled quickly with new series launches and established shows circling back for another round. Whether viewers were chasing prestige dramas, crime procedurals, or the occasional cult documentary, the month offered plenty to sample. The trick was carving out time for all of it without letting the remote gather dust.

What Happened to the One-Season Wonders

Several March 2018 premieres enjoyed short runs before the networks moved on. Life Sentence, Champions, Hard Sun, Deception, Instinct, Krypton, Siren, For the People, Rise, and The Dangerous Book for Boys each lasted one or two seasons. Many arrived with network backing yet struggled to hold consistent viewership once the initial curiosity faded. The pattern was familiar: fresh premises, recognizable casts, and quick exits once ratings settled below expectations.

Long-Running Success Stories from March 2018

A handful of shows beat the odds and stayed on the air far longer than early forecasts suggested. Station 19 ran for seven seasons and concluded in May 2024. Barry stretched across four seasons before wrapping in 2023. The Terror shifted into an anthology format and later revived with additional installments, including a 2026 season. These entries proved that strong writing and committed casts could turn March launches into long-term fixtures.

The Heathers Reboot Saga

The planned March 2018 premiere of the Heathers series never happened on schedule. Production faced repeated delays after a string of school shootings drew renewed scrutiny to the material. When the series finally aired in heavily edited form on October 25, 2018, it lasted only one season before cancellation. The gap between announcement and actual broadcast underscored how sensitive timing can derail even high-profile reboots.

Binge-Worthy Documentaries and Limited Series

Wild Wild Country dropped all six episodes on Netflix on March 16, 2018, and quickly became a cultural talking point. The documentary series chronicled the 1980s Oregon commune led by Bhagwan Shree Rajneesh and delivered enough twists to reward a single-sitting watch. The Terror season one also functioned as a self-contained story when it premiered later that month, later expanding into an anthology format that carried the title forward.

Atlanta returned on March 1 with Donald Glover’s surrealistic comedy loosely inspired by the structure of Tiny Toon Adventures: How I Spent My Summer Vacation. Gotham continued its fourth season on Fox, delivering more of James Gordon’s intense facial expressions and the usual shady, villainous japes. The Good Fight arrived on CBS All Access on March 4, picking up after season one left Maia facing possible arrest and Diane Lockhart ready to fight back. Hard Sun landed on Hulu on March 7, starring Agyness Deyn and Jim Sturgess as detectives navigating a pre-apocalyptic case. Heathers eventually reached Paramount Network months later than planned. Life Sentence debuted on The CW the same week, following Lucy Hale as a young woman whose terminal diagnosis is reversed and whose previous choices now carry lasting consequences.

Champions premiered on NBC on March 8 with Anders Holm and Mindy Kaling, tracking two bachelors whose lives shift when one learns he has a teenage son. Marvel’s Jessica Jones returned to Netflix that day as well, with Krysten Ritter, Rachael Taylor, and Carrie-Anne Moss resuming their unmerciful brand of justice in Hell’s Kitchen. Love closed out its run on Netflix on March 9, while Sneaky Pete brought Giovanni Ribisi and Bryan Cranston back to Amazon Prime for another round of crime dramedy. Deception arrived on ABC on March 11, featuring Jack Cutmore-Scott and Vinnie Jones in a Las Vegas magic-and-murder package. The Royals continued its fourth season on E! the same day, and Timeless returned to NBC with Abigail Spencer, Matt Lanter, Malcolm Barrett, and Goran Visnjic still racing through history.

For the People launched on ABC on March 13 as a Shondaland legal drama built around six ambitious lawyers handling high-profile cases. Rise debuted on NBC the same night, with Josh Radnor leading a high-school theater program in a working-class mining town. Wild Wild Country followed on March 16. Instinct reached CBS on March 18, pairing Alan Cumming with a retired CIA operative drawn back into the field. Krypton premiered on Syfy on March 21, focusing on Superman’s grandfather and the fight to save the planet before the hero’s birth. Station 19 spun off from Grey’s Anatomy on ABC on March 22 and would eventually run for seven seasons. Santa Clarita Diet returned to Netflix on March 23 with Drew Barrymore and Timothy Olyphant still managing the aftermath of Sheila’s new appetite.

Barry arrived on HBO on March 25, introducing Bill Hader as a Midwest hitman who stumbles into the Los Angeles theater scene. Billions continued on Showtime with Paul Giamatti and Damian Lewis trading power moves. Silicon Valley returned to HBO without T.J. Miller for its fifth season. Trust premiered on FX the same day, featuring Brendan Fraser, Hilary Swank, and Donald Sutherland in a story centered on ransom and Italian mafia dealings. The Terror debuted on AMC on March 26 under Ridley Scott’s production banner, while Roseanne brought the original cast back to ABC on March 27. The Americans entered its final season on FX on March 28, and Empire and Star returned to Fox on the same date. Suits resumed its seventh season on the USA Network that week as well. Siren appeared on Freeform on March 29, introducing mermaids to a coastal town built on their folklore. The Dangerous Book for Boys reached Amazon on March 30, and A Series of Unfortunate Events continued on Netflix with Neil Patrick Harris still scheming as Count Olaf.

March 2018 left behind a mixed ledger of quick exits and longer stays. Viewers who sampled widely that month ended up with a clearer sense of which series would endure and which would fade. The calendar may have been crowded, yet the strongest entries rewarded the time invested.

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