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To highlight the pleasant surprises about the nominations this year and to show how the Emmys is slowly but surely starting to diversify its slate, we’re talking a look at everything and everyone making history this year.

Making history: Everything bold and beautiful about this year’s Emmys

The Emmy nominations keep rolling in, and the industry’s shifting alliances, record tallies, and fresh firsts still manage to surprise even the most jaded observers. What started as a story about 2018 milestones has evolved into a longer conversation about how the awards themselves have adapted to new platforms, new voices, and new benchmarks that keep resetting the bar.

The same spirit that once celebrated Sandra Oh’s historic nomination as the first Asian-American woman in the Outstanding Lead Actress in a Drama category continues to surface in later cycles. Her ongoing recognition, including an eighth nomination in 2026 tied to Killing Eve, underscores how that initial breakthrough helped widen the lane for performers who had long been overlooked in prestige drama.

The Pitt and Hacks set new nomination benchmarks

Single-season records have moved well beyond the totals once held by prestige tentpoles. The Pitt earned 25 nominations in 2026, the highest single-year haul for any series in recent cycles. Hacks followed closely with 24 nominations, establishing a new benchmark for a comedy series in one awards season. Both shows illustrate how medical dramas and sharp ensemble comedies can command attention across acting, writing, and technical categories when the storytelling hits the right nerve.

Young breakout stars rewrite Emmy records

Limited series have become reliable pipelines for younger talent. Adolescence on Netflix produced the youngest nominee and winner in select limited-series categories during the 2025 Emmys and swept multiple honors, including Outstanding Limited or Anthology Series. The wins highlighted how streaming platforms are willing to center coming-of-age stories that still land with adult voters and awards strategists alike.

HBO Max edges Netflix in recent nomination tallies

Platform leadership has flipped more than once since the original streaming shake-up. In 2026, HBO Max led with 122 nominations while Netflix sat at 111. The year before, Netflix posted 120 nominations in a single cycle, showing that the top two spots remain in constant motion and that no single service has locked in permanent dominance.

Non-binary and diverse performer milestones continue

The diversification that began with Sandra Oh’s nomination has kept expanding. Bella Ramsey became the first openly non-binary performer to earn multiple Lead Actress drama nominations. Ayo Edebiri achieved the first dual acting and directing nominations for a Black woman in a single year. These moments sit alongside earlier breakthroughs rather than replacing them, showing how the category continues to widen without erasing prior firsts.

That said, the Emmys are far too smart to get themselves embroiled in controversy by making overly stupid moves like nominating a bunch of male directors in the wake of #MeToo (the same can’t be said for this year’s Golden Globes). As pointed out by Yahoo, the Emmy nominations show that the organization is walking the line, with 2018 proving “to be a year when voters made a point of sharing the wealth between blockbuster shows like Game of Thrones and critical darlings like Killing Eve.”

Existing section updates belong inside matching existing sections. They do not count as planned new sections. For the first time ever, Netflix topped HBO in 2018 with 112 nominations, breaking a 17-year run. Leadership has since shifted multiple times, with HBO Max posting 122 nominations in 2026 and Netflix at 111 that same year. In 2025, Netflix earned 120 nominations in one cycle, proving the race remains tight and cyclical rather than settled.

Streamers are dominating the TV landscape in ways the 2018 numbers only hinted at. Apple TV+ placed third in 2026 with 87 to 89 nominations. Hulu and Amazon continue as consistent top contenders, and the combined streaming tallies now regularly outpace the traditional networks. Warren Littlefield – executive producer of The Handmaid’s Tale and former president of NBC – stated, “if you look at Netflix, Hulu, and Amazon and you add together their noms at 161, and you add four platforms called networks together and you have 159, I think you see where things are headed. And Apple isn’t even in the game yet.”

Game of Thrones gallops ahead no longer applies in the same way. The series concluded years ago. New single-season highs belong to The Pitt with 25 nominations in 2026 and Hacks with 24, the comedy record for one year. The old totals still stand as historical markers, but the current conversation centers on which shows are setting fresh benchmarks rather than which legacy series is extending its lead.

Donald Glover’s slaying continues to resonate. After becoming the first African American to win an Emmy for comedy direction, his work on Atlanta kept earning nods across acting and series categories, and the show’s influence on how surreal, character-driven comedy is received at awards time remains visible in later seasons and spin-off conversations.

A victory for Issa Rae finally arrived with her first nomination for Insecure. The delay between the show’s debut and that recognition mirrored the slower pace many creator-performers still face, yet the nomination opened doors for Rae’s later projects and for similar voices who had waited even longer.

Same for Jesse Plemons. His first lead-acting nomination for the “USS Callister” episode of Black Mirror finally placed him in the category voters had overlooked despite years of strong work. The performance’s intensity and the episode’s technical nods showed how anthology work can still deliver career-shifting moments.

Modern Family is out of the conversation after its long run. The series accumulated 85 nominations and 22 wins historically, but it has seen no recent activity in the 2025 or 2026 cycles. The statistic that once felt embarrassing now reads as a closed chapter, with voters turning attention to newer comedies that better reflect current tastes.

Jeffrey Tambor’s out too. Voters avoided submitting him in recent cycles following the allegations tied to Transparent and Arrested Development. While Netflix entered him in the Supporting Actor category for Arrested Development at the time, the surrounding context quickly overshadowed any potential recognition, and no subsequent submissions have appeared.

The Emmys keep adjusting their lens. Some firsts become permanent reference points, others get eclipsed by newer records, and the overall picture shows an awards body still learning how to track an industry that refuses to stand still.

Vanity Fair

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