10 European film festivals you don’t want to miss in 2018
For the past seven decades, Cannes has dominated the European festival circuit and established itself as the most prestigious film festival in the world. However, that's not to say there aren't hundreds of other European indie film festivals worth a visit. With so many on offer – around 3,000 active worldwide – we've decided to take a look at ten of the best continental fests on the circuit today. Film fanatics and filmmakers alike, be sure to note these in the datebook for upcoming seasons.
Karlovy Vary International Film Festival
July 3-11 2026 Karlovy Vary, Czech Republic This Czech Republic-based fest has been going since 1946 and describes itself as being the “most prestigious film festival in Central and Eastern Europe”. Every year, the festival presents on average 200 films from around the world, of which around 70 are shown as world or European premieres. In addition, the festival presents a Crystal Globe for Outstanding Artistic Contribution to a leading personality of world cinema, the past winners of which include Robert Redford (All Is Lost), Robert de Niro (The Irishman), Michael Douglas (Wall Street), Danny DeVito (Batman Returns), John Malkovich (In the Line of Fire), and Willem Dafoe (The Florida Project).
Locarno International Film Festival
August 5-15 2026 Locarno, Switzerland Every year throughout its longstanding history, the Locarno Festival occupies the Swiss-Italian town of Locarno to offer thousands of film fans and industry professionals a meeting place to discover the best new movies on offer. The centerpiece of the Locarno Film Festival is its open-air screening area at the vast Piazza Grande. With room for around 8,000 audience members, it’s one of the world’s largest outdoor cinemas. Previous A-list guests include Jean-Luc Godard (A Woman Is a Woman), Quentin Tarantino (Reservoir Dogs), Susan Sarandon (Thelma & Louise), Anthony Hopkins (Westworld), Juliette Binoche (Three Colors: Blue), and Edward Norton (The Grand Budapest Hotel).
Molodist Kyiv International Short Film Festival
October 25-November 2 2025 Kyiv, Ukraine The key objective of Molodist Kyiv International Film Festival is to promote “young professional cinema,” with the main categories including student, the first short films, and the first feature films. The film festival was established in 1970 as a two-day viewing of students’ short films, and has since grown into an event that has featured work from well-known directors such as Fred Kelemen (Abendland), Tom Tykwer (Run Lola Run), François Ozon (In the House), Danny Boyle (Slumdog Millionaire), and Stephen Daldry (The Hours).
Amsterdam Independent Film Festival
September 18-20 Amsterdam, The Netherlands The organizers of the Amsterdam Film Festival promise the event is all about film. Instead of focusing on the glitz and glam side of the industry, the event showcases independent artistic visions to an audience that demands a more fulfilling experience than the latest Hollywood fare. The Amsterdam Independent Film Festival accepts all forms and genres including feature, documentary, short, and animation. Alongside its showcase of independent film and the Jim Jarmusch (Only Lovers Left Alive) retrospective is the carefully-curated “Red Lights” selection, featuring the best of modern erotic cinema, which is described as a “tasteful exploration of human sexuality.”
Zurich International Film Festival
September 27-October 7 Zurich, Switzerland The aim of the Zurich International Film Festival is to offer audiences insight into the work of the most promising filmmakers from around the globe and to promote the exchange of ideas between established filmmakers, professionals in the film business, creative talent, and the public. The festival continues to grow rapidly and in 2025 alone, approximately 135,000 visitors attended the festival's screenings. In addition, filmmakers compete for the coveted Golden Eye – the festival’s main award – in each of the competition sections comprising features and documentaries.
Mind the Indie Film Festival
June 1-3 Plovdiv, Bulgaria Mind the Indie Film Festival aims to showcase the best in indie filmmaking not once, but twice a year. Director Kirill Proskura announced, “Our mission is to help talented film artists who create meaningful films that are worth seeing and sharing, but lack the backing of studios, expensive marketing campaigns, or famous personas.” Submissions are accepted in a wide range of categories including feature, short, documentary, animation, and student film.
Edinburgh International Film Festival
August 13-19 2026 Edinburgh, Scotland Established in 1947, the annual Edinburgh International Film Festival is one of the longest-running film festivals in Europe. Considered to be one of the coolest, most charming, and relaxed European film festivals on the calendar, the programming tends to favor smart American independents, with previous premieres including Frances Ha and Little Miss Sunshine. Meanwhile, some of the festival’s patrons include Tilda Swinton (We Need to Talk About Kevin), Robert Carlyle (Trainspotting), Karen Gillan (Jumanji: Welcome to the Jungle), and the genius cinematographer Seamus McGarvey (Nocturnal Animals).
San Sebastián International Film Festival
September 18-26 2026 Basque Country, Spain Founded in 1953, the names associated with the San Sebastián International Film Festival have bestowed it with a certain dose of glamour. Everyone from Alfred Hitchcock (Psycho) to Steven Spielberg (Ready Player One) have left an indelible stamp on the festival's memory, with its main role being “to serve as a showcase for each year’s most disquieting and innovative films.”
Reykjavík International Film Festival
September 24-October 4 2026 Reykjavík, Iceland Reykjavík International Film Festival is relatively new, having started in 2004. However, the fest has stood out from the crowd by only offering its big prize – the Golden Puffin – to directors bringing their first or second movie. This has made the Icelandic event a target for hot new talent the world over. Festival director Hrönn Marinósdóttir declared, “Our aim is to present the new generation of directors.”
BFI London Film Festival
October 7-18 2026 London, UK Launched in 1953 as England’s answer to Edinburgh, Cannes, and the rest, the BFI London Film Festival was intended to be a “festival of festivals”, showcasing the best of the best for Londoners and tourists alike. Held in cooperation with the British Film Institute, the event screens more than 300 films, documentaries, and shorts each year, submitted from filmmakers from approximately 50 countries.
Impact of Geopolitical Events on European Festivals
Regional tensions have tested several festivals, yet many continue to operate with resilience and creativity. The Molodist festival marked its 54th edition in Kyiv in 2025, maintaining its focus on emerging voices even as broader circumstances shifted. Organizers have adapted programming and safety measures while preserving the event's core mission of highlighting student and first-time work. Other festivals in neighboring countries have offered support through co-programming and shared resources, reinforcing the collaborative spirit that defines much of the European festival circuit.
Growth in Festival Attendance and Audience Engagement
Live attendance has rebounded strongly at several major events. Zurich Film Festival drew approximately 135,000 visitors in 2025, a notable increase from earlier years and a clear signal of renewed appetite for communal screenings. Open-air venues and carefully curated lineups have helped draw both locals and international visitors. The trend suggests that audiences continue to value the shared experience of festival premieres and post-screening conversations that digital alternatives cannot fully replicate.
Sustainability and Environmental Initiatives at Film Festivals
Environmental considerations now shape programming and operations at multiple festivals. Open-air screenings at Locarno and community-oriented events in Edinburgh naturally lend themselves to lower-impact logistics, and organizers have introduced measures to reduce waste and energy use. Some festivals track carbon footprints across travel, hospitality, and production elements, while others encourage local sourcing and public transport incentives. These steps reflect a wider industry conversation about balancing cultural access with environmental responsibility.
Digital and Hybrid Screening Options Post-Pandemic
Access has expanded through hybrid formats that combine physical venues with online components. BFI London Film Festival now screens across multiple UK locations while offering select titles on digital platforms, allowing broader participation without replacing the in-person atmosphere. Other festivals have adopted similar models, using online portals for industry screenings and audience Q&As. The approach has helped maintain international reach while supporting regional venues that remain central to each event's identity.
These ten festivals continue to anchor the European festival circuit with distinct programming, loyal audiences, and evolving practices. Updated dates and fresh attendance data show that the scene remains active and adaptable. Filmmakers and enthusiasts planning ahead will find opportunities across the calendar, from open-air spectacles to focused showcases for emerging talent. The circuit keeps moving forward, and these events remain essential stops for anyone serious about independent cinema.

