HomeOur ObsessionsNatural Born Killers: A ranking of the most sociopathic serial killer shows and movies

Natural Born Killers: A ranking of the most sociopathic serial killer shows and movies

The day has finally come, folks – the verdict’s in on Lars von Trier’s latest film 'The House That Jack Built'. It’s a little while until the film’s theatrical release on November 28. Until then, check out our ranking of the top serial killer themed TV shows and movies.

Natural Born Killers: A ranking of the most sociopathic serial killer shows and movies

The day has finally come, folks – the verdict’s in on Lars von Trier’s latest film, which premiered at the 2018 Cannes Film Festival yesterday. Pitched as “horrifying, sadistic, and possibly brilliant,” the controversial auteur’s serial killer thriller is another provocative epic, this time with a personal edge. IndieWire’s review described The House That Jack Built as “a 155-minute portrait of a serial killer (Matt Dillon) that dares to spend the duration of that running time in the confines of his disturbed mind,” while The Guardian’s Peter Bradshaw wrote, “The Danish provocateur, back at Cannes after a seven-year ban, is on maddening form with a dreary, nasty serial killer thriller.”


Even before the reviews were out, the fact the film sees Trier in charge of a serial killer narrative left us in utter certainty it would be nothing short of both psychologically and visually horrifying. It’s a little while until the film’s theatrical release on November 28. Until then, check out our ranking of the top serial killer themed TV shows and movies that are sure to keep that sociopathic bloodthirst at bay until then.

Ted Bundy (2002)

Forget the forthcoming Zac Efron-starring Extremely Wicked, Shockingly Evil and Vile. We’re all for Matthew Bright’s 2002 flick, starring Michael Reilly Burke (The Collector) as the prolific necrophile serial killer. Capturing Bundy’s two-sided insanity and the brutality of his crimes, this film is a truly honest account of the famous 70s sociopath. In other words, it’s not for the fainthearted.

My Friend Dahmer (2017)

Marc Meyers’s coming-of-age story with a sinister twist chronicles the high school years of the prolific serial killer Jeffrey Dahmer, mixing troubled teen struggles with adolescence, alcoholism, and killer urges. Check out our in-depth interview with Meyer here.

Wolf Creek (2016-)

As a spinoff to one of the most brutal horror movies ever made, Wolf Creek is an anthology series that sees the murderous rampage in the Australian outback continue, centering on various characters being targeted by the crazed, violent serial killer Mick Taylor (John Jarratt).

Monster (2003)

Charlize Theron (Tully) gave a groundbreaking performance in Patty Jenkins’s Monster, chronicling the life, love, and ultimate downfall of the tortured and misunderstood Aileen Wuornos.

Man Bites Dog (1992)

If you like your comedy with a seriously dark edge, you’ll dig Man Bites Dog. The French mockumentary from Rémy Belvaux, André Bonzel, and Benoît Poelvoorde centers on a group of student filmmakers creating a fly-on-the-wall documentary on a serial killer. Things take a turn for the fucked up as they gradually get drawn into his sick and sadistic world.

Mindhunter (2017-)

When Mindhunter hit Netflix last October, we lost an entire weekend in bingewatching mode. Based in reality about the man who pioneered the science of profiling serial killers, Jonathan Groff (Taking Woodstock) and Holt McCallany (Fight Club) star as Holden Ford & Bill Tench – two FBI agents who expand criminal science by delving into the psychology of murder and get worryingly close to the all-too-real monsters (including Edmund Kemper, played gloriously by Cameron Britton).

Bates Motel (2013-2017)

Incorporating iconic elements of the original and giving a detailed portrayal of how Norman Bates’s psyche unraveled through his teenage years, this contemporary prequel to Psycho did right by Alfred Hitchcock.  

Hannibal (2013-2015)

While we could spend all day discussing our love for the movies centered on Hannibal Lecter, we thought we’d give a special mention to Bryan Fuller’s TV adaptation of Thomas Harris’s classic story. A visual, bloody feast for the eyes, Hannibal hones in on the early relationship between the renowned psychiatrist and his patient – a young FBI criminal profiler who is haunted by his ability to empathize with serial killers.

Se7en (1995)

David Fincher’s dark, stylish thriller ranks as one of the decade’s most iconic, original blockbusters, in which two detectives (a rookie and a veteran played by Brad Pitt and Morgan Freeman respectively) hunt a serial killer (Kevin Spacey) who uses the seven deadly sins as his motives. Altogether now: “What’s in the box!?”

American Psycho (2000)

While Bret Easton Ellis was not the biggest fan of Mary Harron’s adaptation, American Psycho is a masterpiece in its own right. Starring Christian Bale (The Dark Knight) as the last man on Earth you’d want between your legs, the film offers a hyperbolic portrait into the sadistically sinister nature of American yuppy culture.  

Natural Born Killers (1994)

A twisted, psychedelic, and rambunctious update on the Bonnie and Clyde story, Oliver Stone’s satirical black comedy sees Woody Harrelson (Three Billboards Outside Ebbing, Missouri) & Juliette Lewis (From Dusk Till Dawn) as two lovers with traumatizing childhoods who embark on a gory and romantic mass murdering spree across the States, becoming tabloid-TV darlings and somehow drawing journalist Wayne Gale (Robert Downey Jr.) into their madness.

Psycho (1960)

The big cheese, the #1 chief, the top dog – whatever you want to call it – has to be Alfred Hitchcock’s Psycho. Embodying the fear of the dude next door, the big-screen adaptation of Robert Bloch’s book merges edgy exploitation aesthetics with true Hitchcockian suspense to tell the story of arguably the most iconic murderer in cinematic history.

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Daisy Webb is an outspoken, opinionated writer with a passion for all things horror and cult comedy. When she's not watching films, she likes listening to music, cooking too much food, and writing short stories with unhappy endings.

daisyp@filmdaily.co