Following in the footsteps of far better films like Drop Dead Gorgeous and Little Miss Sunshine, Will Raee’s Austin Found aspires to be a tragically dark comedy commenting on the American dream, but all it
Artist documentaries tend to fall into one of two categories. Some depict the life of their subject through biographical details; others let the artist’s story be told through their process itself. A subject like iconic
Situated somewhere between Billy on the Street and The Daily Show’s correspondent segments, Hood Adjacent with James Davis is an affable and gently subversive new Comedy Central show that could blossom into something vital, if
Superheroes have been losing their powers almost as long as they’ve been gaining them. There’s an irresistible pull to the fallen icon, magnified greatly when you’re dealing with godlike beings who fly and punch and
Flaked Season Two
Flaked is a very realistic portrayal of the life of a drunk: flabby, undeveloped, and endlessly dull.
If you want to get deep into stories of addiction, we loved Love’s second season.
Master of None S2E1: “The Thief”
Critically acclaimed show from Aziz Ansari (everyday millionaire and millennial about town) and Alan Yang (seasoned writer and producer) returns to Netflix. Bold and ballsy but flawed, the Rotten Tomatoes 100%-rated
The Love Witch (Oscilloscope), directed by Anna Biller
The campy, loving homage to the heyday of glorious technicolor relays a vital feminist message.
The Love Witch opens with a beautiful woman driving a red Ford Mustang along a lonely
Free speech that even the NSA can’t stop. Cheap printable guns for anyone who wants one. Money not controlled by banks or governments. In fact, no governments at all.
Welcome to the crypto-utopia of Cody