Why Spike Lee’s ‘BlacKkKlansman’ still deserves your attention
Get ready to fight in the name of all power for all people, because auteur Spike Lee’s most recent movie, 'BlacKkKlansman', is playing now on HBO.
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Why ‘To All the Boys I’ve Loved Before’ is a 90s romcom for a modern era
Netflix's 'To All the Boys I've Loved Before''s narrative, romcom tropes, and art direction are all genuinely reflective of the 90s golden age of the genre.
‘Harlots’ proves the future of TV is female
There’s more than one tart with a heart to be found in ITV and Netflix's collaboration 'Harlots', and we can’t wait to discover where they take us.
Timothée Chalamet in ‘Beautiful Boy’: Oscar gold or Oscar bait?
Reviews are in after 'Beautiful Boy'’s premiere at TIFF, but is it another success for Timothee Chalamet, or a ploy for two Oscar nominations in a row?
When worlds collide: Viggo Mortensen in ‘Captain Fantastic’
Captain Fantastic combines humor with heartbreak in a rather heavy-handed fashion as the children experience the outside world for the first time.
Laugh and cry with ‘Other People’
“You’ll laugh; you’ll cry” is what happened when 'Other People', a comedy about dying from cancer, opened the 2016 Sundance Film Festival.
The age of angst in ‘As You Are’
'As You Are' may be a coming-of-age story set in the midst of the grunge wave of the 90s, but it’s most certainly not a nostalgic film – sorry, GenXers.
How ‘Bohemian Rhapsody’ became Queen of the box office
Queen fan in search of a watchable portrayal? 'Bohemian Rhapsody' might just be the love of your life. At least for a couple of weeks, anyway.
Why ‘Voltron’ is paving the way for the new generation of TV watchers
'Voltron: Legendary Defender' is much more than a campy show about teenage space explorers and robot lions – it banishes stereotypes with gusto.
What the world needs now is ‘Hannibal’, sweet ‘Hannibal’
Among the reboot mania engulfing the entertainment industry, one cry can be heard from deep within the tumult: Bring 'Hannibal' back for another serving.