Why Benedict Cumberbatch is the most overrated actor in Hollywood
Benedict Cumberbatch is totally overrated. Don’t believe us? Read on for why the actor’s the biggest pile of Cumberbollocks in Hollywood.
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Infinity War: Why the Avengers need to stop assembling
Last year epic superhero flick 'Avengers: Infinity War' came out. Here’s why the film itself has left little to be desired for the MCU fandom.
Like ‘Love, Simon’? Check out the LGBTQI drama ‘Doukyuusei’
'Love, Simon' may be a great film, but consider purchasing the same-sex love story you might have missed on its release: 'Doukyuusei'.
Why ‘Phantom Thread’ is Paul Thomas Anderson’s best film
'Phantom Thread' is intent on poking the innards of toxic masculinity. It stands out thanks to some seriously uncomfortable themes under the surface.
What this dark Netflix movie: ‘6 Balloons’ gets right about enabling an addict
'6 Balloons' explores the toxicity of a codependent relationship and the destructive cycle of enabling behavior that binds them in dysfunction.
Drama or damage? The very real issues with ‘Crazy Ex-Girlfriend’
We question whether 'Crazy Ex-Girlfriend' may or may not cleverly promote a feminist manifesto through the medium of song and romcom tropes.
Why ‘A Quiet Place 2’ could be an epic fail
We aren’t excited about the dense, occasionally confounding movie universe of 'A Quiet Place'. 'A Quiet Place 2' is probably going to suck. Here’s why.
Why ‘Judy’ glosses over the dark history of MGM
Especially in light of the #MeToo movement, 'Judy' could’ve used its flashbacks into Judy Garland’s past to show the kind of abuse she actually experienced.
How ‘Carnival Row’ fills the ‘Game of Thrones’ hole
'Game of Thrones' may be more medieval and Amazon's 'Carnival Row' more Victorian, but they share strong qualities key for making a great fantasy series.
‘The Bad Batch’: Sloppy second feature for Amirpour
Ana Lily Amirpour's new film 'The Bad Batch' is as committed to vivid style as its predecessor – but it fits its title a little too well.