‘The Bad Batch’: Sloppy second feature for Amirpour
Ana Lily Amirpour's new film 'The Bad Batch' is as committed to vivid style as its predecessor – but it fits its title a little too well.
Thou shalt laugh: ‘The Little Hours’ tries too hard to be funny
'Decameron'-inspired 'The Little Hours' tries to be a comedy of Monty Python proportions, but is more akin to a juvenile bedroom farce.
Ditch your lightbulbs – ‘GLOW’ is all the incandescence you need
'GLOW', Jenji Kohan’s radiant new Netflix show about famed television franchise 'Gorgeous Ladies of Wrestling', proves everything she touches turns to gold.
‘The Big Sick’: Girlfriend in a coma
Kumail Nanjiani's 'The Big Sick' provides a much-needed shot of adrenaline for the romantic comedy genre, but with some caveats.
‘Terminator: Dark Fate’: Why the franchise still kills
To celebrate the upcoming 'Terminator: Dark Fate', here are some of the best things about James Cameron’s time-travelling behemoth 'Terminator' franchise.
Bunny Tales: ‘American Playboy: The Hugh Hefner Story’
The Playboy story isn’t just a sum of Hef's private parts. 'American Playboy: The Hugh Hefner Story' is one of entrepreneurship against all odds.
‘Love’ season two is like all great relationships
Despite billing as a romantic comedy, deeply dark, painfully authentic comedy 'Love' season two is about as far from a frothy romance as you can get.
How ‘Adrift’ could be a better representation for female travellers
Hey Hollywood, can you make one badass female solo travel film without a guy? This was our thought after watching 'Adrift'.
‘Okja’ goes for gold at the scene-chewing Olympics
'Okja' aims boldly to decry Western greed by making it out to be even more gluttonous than the chubby ungulates on the screen.
Women who kill and female horror auteurs to watch now
From ‘The Beguiled’ to ‘The Love Witch’, here are the female horror auteurs you should be keeping a close eye on. Just in time for Halloween!