News Archives – Page 1894 of 1962

Here’s everything to know about Natalie Dormer and ‘Penny Dreadful’

'Penny Dreadful: City of Angels' has been announced. Here's everything you need to know about revisiting this beloved franchise and the spinoff.

by: Bethany Wade

Lifestyle / News / Our Obsessions / Tech

Artificial Intelligence is rapidly changing management roles

Even though we all know that the impact of Artificial Intelligence (AI) is being felt across the globe in every industry and job sector, some people look at its positive aspects, while others dwell on

by: Avi Ben Ezra

Lifestyle / News / Our Obsessions

Real or reel: Who’s real in ‘Once Upon a Time in Hollywood’

We reveal who's real and who's reel in 'Once Upon a Time in Hollywood' – some of these will be blatantly obvious – others more of a mystery.

by: Bethany Wade

Lifestyle / News / Our Obsessions

Join the resistance: Why ‘Colony’ is a sci-fi gem that deserves to be saved

Another underrated genre show: 'Colony'. The sci-fi drama with a sizable fan base has been quietly cancelled by USA after just three seasons.

by: Amy Roberts

Lifestyle / News / Our Obsessions

Why Nathan Fillion will always be Captain Mal Reynolds in our hearts

Watching Nathan Fillion, we’re reminded of how magnificent the actor was in the 'Firefly' role of wise-cracking outlaw Mal Reynolds.

by: Amy Roberts

Lifestyle / News / Our Obsessions / Reviews

Inside ‘The Rookie’: The ups and downs of Nathan Fillion’s return

After eight years on ABC’s Castle, Nathan Fillion has jumped swiftly into in the network’s new crime dramedy, 'The Rookie'.

by: Daisy Webb

Craft / Lifestyle / News / Our Obsessions

Fandom is the future: How Legion M is changing Hollywood

The world’s first fan-owned entertainment company, Legion M, offers filmmakers an all-in-one production company fully funded by fans.

by: Daisy Franklin

Lifestyle / News / Our Obsessions

The cost of being a woman in Quentin Tarantino’s universe

In light of Uma Thurman’s allegations against Quentin Tarantino, we must ponder the director’s treatment of female characters and the price of being a muse.