‘The Curse’ is your new short film horror obsession
Short form horror is hard to master, but director Dimitri Kanjuka has made it clear he knows how to scare you good, especially with 'The Curse'.
Heave Ho Productions is breaking boundaries with ‘The Machine’
Heave Ho Productions, like many other production houses, found themselves locked down thanks to COVID-19. But that didn't stop them from creating.
An interview with ‘Don’t Be Nice’s’ Nikhil Melnechuk
Nikhil Melnechuk has been telling stories for years, but he's stepping up to tell the stories of an NYC slam poetry team in 'Don't Be Nice'.
Land Ahoy Films is making its big break into the festival circuit
Land Ahoy Films is giving a voice to up and coming filmmakers, and now with its first two shorts produced, it's time to hit the festival circuit.
‘Visitor’ directed by Pavel Bartovský: What you need to know
Pavel Bartovsky has spent his life working in VFX, animation, and short films. Now, he's directing a fictional short for the first time.
An interview with Tilda Del Toro on her career and upcoming projects
Tilda Del Toro is an actress who was born in Chicago, if you haven’t heard her name before, prepare to hear a lot more of it since her career is taking off.
Cordillera International Film Festival: The John Singleton Impact Award
The Cordillera International Film Festival (CIFF) is in Reno-Tahoe, Nevada and works to celebrate the art of filmmaking and screenwriting.
Why you need to watch the award-winning film ‘Gab’
Director Gazanfer Biricik has spent his life creating and telling honest stories, and it's finally paying off with the critically acclaimed 'Gab'.
Christopher Leong goes from background to director with ‘Poker’
First time director Christopher Leong has dealt with a lot during production of his short 'Poker'. Yet nothing stopped him from creating.
Melbourne Documentary Film Festival: ‘The Rise Of the Synths’
'Rise of the Synths' director, Iván Castell was kind enough to do an interview with us, here's what he as to say about his movie and career.