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'First Man' is just the next in a long line of bland roles for Ryan Gosling. Here’s a ranking of ten of his most vanilla roles to date.

La La Bland: Ranking Ryan Gosling’s most vanilla roles ever

Promoting what was probably the first movie about a jazzman in space, Ryan Gosling & Damien Chazelle made a surprise appearance at CinemaCon last year to introduce the first trailer for their Neil Armstrong biopic First Man.

Predictably, the footage starts with Armstrong (Gosling) singing a lullaby to his baby daughter, sharing “intimate glances” with his wife Janet (Claire Foy), and dancing with her. Of course, there’s also footage detailing Armstrong’s daunting task as the savior of waning American morale as he stoically accepts the opportunity to go into space even if it might kill him.

The first photos of Ryan Gosling in 'First Man' – a biopic of Neil Armstrong – are out. Will Gosling be able to launch himself into the list of other great on-screen astronauts? Let’s take a look at the competition with our ranking of the seven best astronauts in cinema history.

When he isn’t slaughtering people on screen for Nicolas Winding Refn or playing a hapless drunk detective for Shane Black, Gosling more often than not seems to veer towards these extremely saccharine roles that require he sing cute songs, gaze adoringly at beautiful women, and/or act as inoffensively as possible. Here’s a ranking of ten of Gosling’s most vanilla roles to date.

10. Hercules: Young Hercules (1998 – 1999)

Playing a warrior with a serious stick up his butt about strong women, Gosling’s teenage Hercules was the most polite version of a supposedly ass-kicking hero ever committed to TV.

9. Jacob: Crazy, Stupid, Love (2011)

Playing some sort of pick-up artist who educates a middle-aged man (Steve Carell) about the ladies, Gosling essentially portrays a set of abs in a fine suit. We aren’t complaining particularly, but writer Dan Fogelman (Danny Collins) may as well have had him depicting a loaf of white bread.

8. K: Blade Runner 2049 (2017)

With the exception of Bane (Tom Hardy) in The Dark Knight Rises, nobody cruel, edgy, or evil could possibly wear a coat that nice with such swaggering finesse. That was our core takeaway from Gosling’s performance in Denis Villeneuve’s film: he wears that coat well.