What’s the rapper Cupcakke up to and who is she dissing?
Rapper CupcakKe has long stood out for the bold, unfiltered style that helped shape her place in hip-hop. One of the clearest examples of that approach remains the December 2020 release of “How to Rob (Remix),” a direct reference to 50 Cent’s 1999 track of the same name. The song quickly drew attention for naming more than twenty artists across the genre, from established names to rising voices. The original YouTube upload captured the moment when the track first circulated online.
The disses
Within one minute and forty-six seconds, the December 2020 track listed more than twenty rappers. Complex reported the names included Cardi B, Megan Thee Stallion, DaBaby, Lil Baby, 6ix9ine, Lizzo, Migos along with Offset on his own, Wiz Khalifa, Tory Lanez, Young M.A., Doja Cat, Sukihana, Lil Durk, City Girls, Lil Kim, Chief Keef, G Herbo, Mulatto, Flo Milli, Sada Baby, and DreamDoll. CupcakKe opened the song with a direct disclaimer: “If you hear your name / it’s all muhf*ckin’ love, don’t take sh*t personal.” The track remains the clearest instance of this kind of wide-ranging call-out from her catalog, with no comparable multi-artist diss releases noted since. Reactions at the time were divided, particularly around the lines aimed at Lizzo and Megan Thee Stallion. One Twitter user quoted the line “Catch Lizzo, drag her out the food court” and called the reference unnecessary. Another account observed that the Megan Thee Stallion line referencing the 2020 shooting incident could have been left out while viewing the rest of the track as fair game.
CupcakKe’s response to criticism
Immediately after the track surfaced, CupcakKe addressed online criticism directly. In reply to praise for her writing, she posted that she viewed the song as “a beautiful thing” and suggested that those upset were “used to the mediocre.” She added that the pushback came mainly from female rappers rather than their male counterparts. She closed the statement by repeating that the track carried “all love to all the rappers mentioned.” Shortly afterward she announced plans to get baptized the next morning and wished followers “a peaceful blessed night.” Those remarks stayed tied to the December 2020 moment; no extended public commentary on the same subject has appeared in later years.
Sukihana drama
The Sukihana exchange also unfolded in December 2020. CupcakKe’s original line read: “Who the f*ck is this b*tch named Suki? Poppin’ up when promoters can’t book me / Since you love to be on OnlyFans, I’m the only fan at your show, what’s goodie?” Sukihana answered with her own track, “Rob Who?,” which took aim at CupcakKe’s appearance and booking status. CupcakKe followed with a targeted response titled “The Gag Is,” which included a reference to a viral OnlyFans clip involving Sukihana. The back-and-forth stayed brief. In later comments Sukihana described CupcakKe as a lyricist she respects and characterized the exchange as non-toxic. The episode now reads as a contained 2020 moment rather than an ongoing conflict.
Recent Album Releases
After a six-year stretch without new full-length projects, CupcakKe returned with Dauntless Manifesto in 2024. She followed that release with The Bakkery on October 24, 2025. The newer album moves across several styles, including hip house, hyperpop, afrobeats, and electropop. These projects shifted focus from the earlier diss-track conversation toward a broader range of production choices and song structures.
The Bakkery Tour and Live Performances
Live dates have become a central part of her schedule since the album releases. The Bakkery Tour began in February 2026 and sold out its North American run through April. Additional stops followed in Europe and the UK/Ireland, with a festival appearance scheduled at LadyLand on June 27, 2026. The run marked a clear expansion of her stage presence beyond the 2020 online exchanges.
Singles and Music Videos from The Bakkery Era
Lead single “One of My Bedbugs Ate My Pussy” arrived in June 2025 alongside a lyric video. A music video for “Ballerina Coupe” followed as the latest visual from the album. These releases offered a different entry point into the record than the earlier diss material, highlighting production and performance elements instead.
Commercial Performance of Recent Work
The Bakkery reached number four on the Hip-Hop/Rap Albums chart and number thirty-eight across all album genres shortly after release. Those positions provided a measurable snapshot of audience reach following the 2020 period. The numbers placed the project among active releases in its genre without relying on controversy for attention.
The 2020 diss tracks now sit as one chapter in a longer catalog that includes two recent studio albums and an expanding tour schedule. CupcakKe continues to release music that moves between club-oriented production and personal subject matter, maintaining the direct voice that first drew listeners while operating on a wider platform than the single-track exchanges that once dominated headlines.
