Life after Pornhub: What is Mia Khalifa up to now?
Mia Khalifa stepped away from adult films years ago, yet the conversation around her name has only expanded. The Lebanese-American model turned media figure has built a public life that now stretches across business, fashion, commentary, and platform growth. At thirty-three she keeps a steady presence in front of cameras and microphones while running her own ventures. The shift away from the three-month stretch of early work has opened space for projects that sit far from that short chapter.
Her divorce
Her marriage to chef Robert Sandberg ended in 2021 after two years. The split was described as amicable, with both parties noting they had tried therapy and left without public animosity. Since then she has confirmed she remains single and has not entered another marriage. Public statements in 2025 and 2026 made clear she is not dating in any visible way, keeping focus on work and private circles rather than new relationships.
Her career
After PornHub came to an end, Mia Khalifa’s continued pursuing careers in sports hosting, television producing, social media influencing, and webcam modeling. The sports podcast she landed back in 2018 was alongside a former ESPN radio host named Tyler Coe. It seems Khalifa knows what she’s talking about when it comes to sports since she’s a well-rounded young woman with an interest in way more than what people might realize. Sports podcasts are super popular these days and it’s an avenue Khalifa has pursued. In terms of making adult content, Khalifa has an OnlyFans profile where she’s totally in control of the content she releases and the money she earns. She’s got 517 pictures posted along with fifty-eight videos and in total, she’s raked in over 198,800 likes. Her status on OnlyFans is quite impressive compared to others. It costs $12.99 to subscribe to her OnlyFans on a month-to-month basis. Although she’s no longer filming professional adult movies, you can still see some of her more provocative content through this account. Recent estimates place her monthly earnings in the range of several million dollars, placing her among top earners on the platform. She has also launched the jewelry line Sheytan, positioning herself as an immigrant founder building a brand outside content creation. Sports commentary and podcast appearances continue alongside these projects.
Her social media
Now that her PornHub life is over, Mia Khalifa has remained pretty active on social media. On Twitter, she’s got over 3.9 million followers who love catching up with her and the random thoughts she has throughout the day. She tweets about random things such as wanting to be mysterious and conflicting feelings of love she is facing. She also retweeted a post about Marilyn Manson & DaBaby joining the stage with Kanye West since the combination of artists isn’t what too many people are happy with. On TikTok, Khalifa has 27.6 million followers who find her random content to be super funny. She posts skits about taking her first sip of coffee for the day responding to Lizzo and more. Khalifa’s Instagram is another great place to keep up with her. She has 25.1 million followers who enjoy the gorgeous selfies & bikini shots she consistently posts all time. Current counts show roughly twenty-eight point four million on Instagram, forty-one million on TikTok, and six million on X, reflecting steady growth across platforms as she posts a mix of personal updates, commentary clips, and brand work.
Her Jewelry Brand and Entrepreneurship
In 2023 she introduced Sheytan, a jewelry collection that marks her first major foray into product design and retail. The line draws on her background as an immigrant founder, and she has spoken about building something she can control without relying on platform algorithms. Early releases focused on bold, wearable pieces that quickly gained attention from fans who wanted a physical item tied to her public image. The move positioned her alongside other creators who have turned personal branding into tangible goods rather than staying within digital content alone.
Fashion and Runway Appearances
Her runway return came in March 2026 during Paris Fashion Week when she walked for Trashy Clothing’s debut show. The appearance drew coverage that framed her as both a model and a cultural figure whose presence can shift attention toward independent designers. The collection leaned into playful, irreverent aesthetics, and Khalifa’s participation highlighted how her public profile now intersects with traditional fashion circuits. Observers noted the contrast between her earlier online fame and this more conventional runway setting, yet the overlap felt natural given her long-standing interest in style and image-making.
Activism and Public Commentary
She has used interviews and social posts to speak about sex workers’ rights and the financial realities that come with platform labor. In 2026 she also commented on how tax dollars are spent and on strikes affecting Lebanon, expanding her public voice beyond entertainment topics. These statements have drawn both support and criticism, yet they keep her name in conversations that reach outside her original audience. The shift reflects a broader pattern among former adult performers who later address policy and labor issues tied to their past work.
Recent Podcast and Media Appearances
She sat for a New York Times podcast in 2024 that covered money, sex, and activism, giving listeners a direct look at how she frames her career choices and earnings. Additional appearances on sports and culture shows have kept her in rotation as a commentator, often returning to topics around media, body image, and audience expectations. These long-form conversations allow her to move past short clips and into extended discussion, something she has said helps correct older narratives that still circulate about her early work.
The through-line across these updates is steady output and careful boundary-setting. Khalifa continues to post, design, speak, and walk runways while keeping personal relationships out of the spotlight. The numbers on her platforms have grown, her business interests have diversified, and her commentary now reaches audiences that may never have seen her original videos. At thirty-three the work looks less like a reaction to the past and more like a set of choices that keep her visible on her own terms.
