Best of Lonely Wolf 2024: Societal Dissonance, Existential Liminality & Psychological Resilience
As the global landscape shifts through turbulent times, film continues to stand as a beacon of hope, offering solace, reflection, and connection to our shared humanity. Adrian Perez, CEO and founder of the Lonely Wolf International Film Festival (LWIFF), proudly unveils the additional selections for the virtual December program, running from the 18th to the 31st. This year’s festival will bring forth narratives that dive deep into societal discord, existential crises, familial ties, and the evolving digital age. With a line-up featuring films from over 30 countries, the festival’s celebration of diversity, language, and viewpoints showcases cinema’s universal appeal.
From films previously celebrated at Cannes and the Festival Internacional de Cinema de Tarragona REC, to powerful new creations from emerging filmmakers, the program is an eclectic mix of stories that touch the heart and challenge the mind.
Feature Highlights:
“KISSING THE WALL” (Dir. Yehuda Udi Persi)
“CAFE CICATRIZ” (Dir. Jordan Bahat)
Hidden stories unfold here
“THE LAST WITNESS” (Dir. Piotr Szkopiak)
“EVIE” (Dirs. Jamie Lundy & Dominic Brunt)
“IN THE INTEREST OF THE CHILD” (Dir. Ronald Voort)
Surprises in every frame
“ATTENDANT” (Dir. Rome Petersson)
“SUMMER PLANNING” (Dir. Alexandru Mironescu)
“MADE IN DUBLIN” (Dir. Jack Armstrong)
Voices in vibrant cinema
Each of these films, distinct in voice and vision, adds to the rich mosaic of cinematic storytelling this year, proving that film is not only an art form but a critical tool for societal reflection.
Spotlight on Female Directors:
“ROUND TWO” (Dir. Frøydis Fossli Moe)
Unseen tales ignite wonder
“Jasmine 茉莉花” (Dir. Ellen Costa)
“Dive Bomb” (Dir. Clare Davidson)
The Last Witness: A Festival Standout
Piotr Szkopiak’s “The Last Witness” emerged as a leading force at this year’s festival, capturing several prestigious accolades:
Best Feature Film
Best Cinematography
Unfolding gripping narratives await
2nd Place: Best Original Screenplay, Best Lead Actor (Alex Pettyfer), Best Lead Actress (Talulah Riley), Best Supporting Actor (Michael Gambon), Best Thriller
3rd Place: Best Picture, Best Directing
Szkopiak’s historical thriller, set against a post-war landscape, expertly navigates themes of trauma and truth. Its stunning visuals, powerful performances, and intense narrative captivated the jury and audience alike, making it one of the festival’s most talked-about films.
The Girl with the Fork: A British Triumph
Ignacio Maiso’s “The Girl with the Fork” captured the Best Thriller award while earning 2nd place for Best British Film. This psychological thriller weaves a complex web of memory, guilt, and retribution, with a standout performance by Rebecca Calienda.
Let’s Pretend I’m Talking About You: Best Feature Screenplay
Daniel Pradilla de Bedout’s “Let’s Pretend I’m Talking About You” took home Best Feature Screenplay for its intricate emotional narrative, drawing comparisons to the works of Kaufman and Kar-wai.
The festival is also proud to showcase “U Nalitýho Voka” by Filip Nerold, which won Best Character Design, and “Round Two”, which took 2nd place for Best Short Film.
The Lonely Wolf International Film Festival continues its commitment to promoting diverse voices and showcasing films that resonate with the complexities of the human condition. With virtual screenings available from December 18th-31st, audiences worldwide are invited to join this cinematic celebration.
For more details on the full program and to purchase tickets, please visit:
Lonely Wolf International Film Festival
Let the magic of cinema carry you through the end of the year as we celebrate resilience, diversity, and the boundless creativity of filmmakers across the globe.
Contact:
Adrian PerezCEO/Founder & Chief Film CriticLonely Wolf International Film Festivalinfo@lonelywolffilmfest.com
