Indie auteur of the day: Tiffany Rhodes
Tiffany Rhodes grew up in small towns that inspired her to become the storyteller she is today. She creates rich characters, fleshes out the spaces they inhabit, and breathes life into all the stories she tells.
Rhodes’s beginnings appeared to be the American Dream, but behind closed doors her childhood was not what it seemed. This influenced her fascination with psychology and the fragility of how real “reality” is.
Tiffany is our auteur to watch. She began her ascent to greatness by creating her own rules and creating a universe of her own. Rhodes is a gutsy female filmmaker, not waiting for anyone’s permission to tell her stories, and surrounds herself with true believers whose goals are inline with her core mission & vision. She works with bold innovators who have helped her bring life to her stories. Tiffany Rhodes now has three films under her belt, all produced in collaboration with young and talented cinematographer Vito Huizar, whose belief in her led him to Sicily in 2017 to shoot Promise Me.
In 2018 Collision’s U.S. premiere was held in Los Angeles at the Laemmle Monica Center for the Artemis Film Festival. Collision has been selected into seven festivals so far, and won awards for Best Female Filmmaker.
Tiffany’s work is known for its metaphors, tropes, and distortion for an alternative look at humanity. Her current project, The Blackbird Interviews, takes place in 1982 at a psychiatric hospital: when four female patients all claim to be the same woman, esteemed psychiatrist Violet Ford makes it their mission to uncover the truth.
With a hush-hush feature film in preproduction and a world of opportunity open to her, Tiffany Rhodes is one to watch. Don’t take our word for it – here’s what her industry peers have to say:
“Tiffany Rhodes is a visionary filmmaker and excellent storyteller. Her approach to creating art is both inspiringly collaborative and uniquely independent. Her ability to assemble a team of filmmakers is evident in the fact that she knows the destination, she knows the end goal, but allows those around her to explore different pathways of getting there. She inspires trust, imagination, and a grounded sense of play.”
—Schuyler Mastain, actor, writer
“Tiffany Rhodes is a true pioneer . . . authentic and unapologetically herself . . . . In a society filled with filters and falsities, she is the one true being.
“When you work with her, she extends the same respect to the man who may valet her car as to her top actor. When she is choosing an actor for her characters, she has already seen that person as the character . . . . She believes that you are the character and spends time guiding you to see that within yourself. We become a family during the process. It is an intellectual and emotional journey. I believe we all are left craving more . . . . She’s the real deal!”
—Lisa Lash, actress
“Tiffany's ability to embrace the collective ideas from her handpicked team of collaborators, even if they are outside of her comfort zone . . . is very motivating and forces me to take risks constantly.”
—Vito Huizar, cinematographer
“Tiffany’s creative process on set allows the actors around her to feel comfortable and to make bold choices even in some of the most vulnerable scene work. I knew when it came to the real emotional work, Tiffany would support my choices and allow me the freedom to make choices because it truly was a safe space to create. I have a profound respect for her process. It’s part of what separates and makes her an auteur.”
—Dan Foster, actor
“It's been such a gift working with Tiffany Rhodes. I admire her artistically, but also on a personal level. She writes powerful and profound female-driven stories, but also focuses on empowering women in her everyday life. I loved exploring the haunting world that she created in The Blackbirds Interviews and hope to work with her again soon.”
—Camille Montgomery, actress
Early Career and Films
Promise Me, Collision, The Blackbird Interviews, and Match Struck form the core of Rhodes’s early output. Vito Huizar shot the first two projects and returned for the 2019 short The Blackbird Interviews, confirming the tight creative partnership that defined her initial years. Each film draws from the same psychological curiosity that shaped her upbringing, turning intimate settings into arenas for questions about identity and perception.
The Blackbird Interviews
The short was completed and released in 2019, moving the project from active development into finished work. Set inside a 1982 psychiatric hospital, the story follows four women who each insist they are the same person and the psychiatrist tasked with sorting fact from fracture. The finished cut preserves the layered metaphors and visual distortions that mark Rhodes’s style while standing on its own as a self-contained study of fractured memory.
Current Projects and Outlook
The hush-hush feature once mentioned in preproduction has not advanced into public view. Rhodes’s attention has shifted toward building sustainable infrastructure for her work and exploring new formats that still serve the same themes of human potential and psychological depth. The focus now sits on long-term creative leadership rather than the next single production cycle.
Later Projects and Filmography Expansion
Match Struck was filmed around 2020 and moved through post-production as an additional credit on her growing list. The short joins the earlier titles on her filmography, bringing the total of completed narrative works past the original three and showing a steady output despite the independent route. Collision later became available on Amazon Prime, giving wider audiences access to the festival favorite that first signaled her arrival.
Awards and Festival Recognition
Across her completed shorts, Rhodes has collected between 29 and 35 verified awards along with 15 nominations according to industry databases. Collision alone picked up honors for Best Female Filmmaker and Best Writing at multiple stops, numbers that place the early festival mentions in clearer perspective. These totals reflect consistent recognition rather than isolated wins and underscore the reach of work made outside traditional studio pipelines.
House of Velvet Studios and Expanded Ventures
Rhodes serves as CEO and founder of House of Velvet Studios, a move that formalizes the independent infrastructure she once built project by project. The studio provides a home base for future productions while supporting the same collaborative model described by her early collaborators. It also signals a shift from lone filmmaker to creative executive with long-range planning capacity.
Evolution into Multi-Disciplinary Work
Her LinkedIn profile now lists roles as filmmaker, author, and AI and fintech innovator focused on unlocking human potential. These additional lanes extend the psychological themes that have always driven her stories into new mediums and industries. The transition keeps the core interest in perception and identity intact while broadening the tools available to explore them.
Throughout these expansions, Rhodes continues to assemble teams that trust her vision while granting room for individual exploration, the same quality her early collaborators praised. The result is a body of work that has grown in scope without losing the intimate, character-driven core that marked her first shorts. Audiences and industry peers alike still point to that balance as the reason she remains an auteur worth following.

