Guerrilla financing for dummies: Reel stories from indie filmmakers
Life as an indie filmmaker is not easy. With precious little time and your bank account looking sad, here are some creative ways to cut checkbook corners.
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Garret Williams causes an ‘Eco-Riot’ with his latest film
Jack of all trades Garret Williams has released 'Eco-Riot' and you should be paying attention. Here's our interview with the filmmaker himself.
Who has the C., U., N., and T. to win ‘RuPaul’s Drag Race UK’ S1?
After seeing these UK queense, we have our final 3 contestants in the 'RuPaul's Drag Race UK' finale: Baga Chipz, Divina de Campo, and The Vivienne.
Robbin’ season: Why ‘Atlanta’ deserves all the Emmys
There are a few shows we’re rallying behind for the Emmys, but one in particular we’re still unpacking and utterly obsessed with: 'Atlanta'.
Help Hollywood Superman Christopher Dennis be laid to rest in style!
A crowdfunding campaign is raising funds for a memorial plaque at Hollywood Forever Cemetery for famed Hollywood Superman, Christopher Dennis.
The intimate diary of a San Diego Comic-Con cosplayer
The San Diego Comic-Con is gone for another year, but we’re basking in its multi-genre glory. Our trip to the event as an SDCC cosplayer was memorable.
‘Eighth Grade’: Why everyone needs to see this cringetastic movie
Sundance hit 'Eighth Grade' is an honest, empathetic, and utterly charming story of a girl discovering who she is as an individual.
Why ‘Sorry to Bother You’ is the satire we should all be paying attention to
Boots Riley's 'Sorry to Bother You' has some cinematic realness to lay down. We need to listen to its message. So grab your coffee and let’s do this!
‘Nanette’: More tears of discovery than laughs
“Comedy” is appropriate to discuss Australian Hannah Gadsby’s live set 'Nanette' – more in reference to reviewers’ reactions than anything else.
Can CBD oil improve filmmakers’ creativity?
If CBD oil improves filmmakers’ creativity, it means that it fosters their ability to make different and new movies in unanticipated ways.