Videos – Film Daily

In “Tonight We Improve”, the fourth episode of 'Ozark', the characters become aware of how deep into the shadows they are and what that ultimately means.

‘Ozark’ faces more than one darkness in “Tonight We Improve”

'A Boy Called Po' might have the best of intentions, and Asher clearly meant well with it, but that doesn’t cure its cloying and saccharine tone.

‘A Boy Called Po’: Cloying, cliched magical autism

'Some Freaks' seeks to do justice to the high school coming-of-age genre by portraying high schoolers as they actually are, blemishes and all.

High school life, blemishes and all, in superb ‘Some Freaks’

'Killing Ground' is a workhorse of a thriller, serviceable enough in its scares but lacking the finesse to defy genre expectations.

‘Killing Ground’: Serviceable, but uninspired, thriller

‘Atomic Blonde’, ‘Brigsby Bear’, ‘Menashe’

Atomic Blonde is pegged as a blistering blend of sleek action, gritty sexuality and dazzling style. Starring Oscar-winner Charlize Theron. Read more

After two episodes of high stakes and quick thinking, Ozark slows down and scales back, focusing on the forces in the background. The vultures are circling.

The vultures are circling in episode three of ‘Ozark’

TIFF, ‘Disenchantment’, and Woody Allen

The daily debrief: Film Daily rounds up all your essential industry news, from the line-up at this year’s TIFF festival to Woody Allen’s next feature film. Read more

‘Person to Person’ is an uninspired love letter to New York, full of pretentious losers, neurotic hustlers, and romantic, hardworking folk.

‘Person to Person’: An uninspired love letter to New York

Film Daily’s round-up of the wins, the losses, and the progress in Hollywood today. Find out why Amy Schumer moved aside for Anne Hathaway.

Wins, losses, and progress in Hollywood today

The only Comic-Con brief you need read. Film Daily’s round up covers all your essential industry news for the day in one handy spot.

The only Comic-Con debrief you need + other essential industry news