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“Dirty Money” – The Dark Side Of Financial Industry

Corruption, securities fraud, and creative accounting are just some of the topics covered in Netflix’s original series Dirty Money. On January 26, 2018, Netflix released all six one-hour-long episodes. Alex Gibney, an Oscar-winning documentary filmmaker, serves as one of the show’s executive producers. 

A single case of corporate corruption is examined in each episode, which also includes interviews with important individuals involved. On March 11, 2020, a new episode of the program will air as part of its second season.

According to Rotten Tomatoes, all 13 reviews of the first season were favorable, with an average rating of 7.92/10. Site reviewers agree that Dirty Money is “informative as it is repulsive” in its depiction of corporate greed. A weighted average score of 80 points out of 100 on Metacritic, based on six reviews, indicates “generally good reviews” for the first season. For pro-business proponents of deregulation, CNN’s Brian Lowry provides a simple but strong rejoinder: Look at the awful, immoral conduct that corporate organizations attempt to get away with when they believe nobody’s watching.

What Is The Main Point Of Dirty Money?

A tale may be told by any documentary filmmaker. A occurs, causing B and C to follow, with the end outcome being D. If the tale is excellent, it can suffice. Even if you don’t learn anything new, expanding your horizons is a major accomplishment in and of itself. Beyond just pleasure and education, a filmmaker who goes above and beyond by using their tale as a springboard to explore more difficult and complex issues has created something really unique and significant.

Such an artist leaves the ends untied, allowing the audience to inquire into their own thoughts. Those questions may remain, and the world may begin to appear somewhat different as a result. All of everything, plus a gripping tale. “Dirty Money”, which is among the most popular movies about trading, contains six excellent tales, as well as a slew of huge, nasty questions. 

Netflix’s investigative documentary series “Going Clear: Scientology and the Prison of Belief” by Alex Gibney weaves forth tales of financial corruption and deterioration. On the agenda are payday loans, drug cartels, hedge fund catastrophes, and an hour on how a con guy may transform business failures into the presidency. 

It’ll be interesting to watch how the Quebec maple syrup wars play out, but the common thread is that nothing is ever as easy as it seems to be. Even while “Dirty Money” focuses on bad actors, it points out that the structures in place enable bad actors to prosper, and there are few, if any, safeguards to prevent this from happening again.

To be honest, that description may create the idea that this is a show meant to elicit both righteous rage and a somber sense of despair. With an undertone of urgency and an acute understanding of how to make things interesting, “Dirty Money” is eminently, compulsively watchable. These six works, like Gibney’s “Going Clear,” use compelling characters, unbelievable facts, and the aforementioned huge, sticky issues to captivate viewers and keep them engrossed in the complex, sometimes disturbing subject matter.

This is a strong start, and Gibney’s is the best of the bunch. As Gibney begins his narration by saying, “I felt I had discovered the ideal automobile,” “Hard Nox” is set up as a personal affair from the get-go. A good spot to start is towards the beginning of the whole series since it’s a point where many of the individuals who appear on film have a personal connection to these events. In the eyes of Gibney and his wife, Volkswagen misled the public about the environmental friendliness of their automobiles while simultaneously utilizing “defeat devices” to conceal emissions that were up to 400 times higher than the legal limit. Misled by VW, regulators feel a strong sense of betrayal. A VW executive is angry with his colleagues who fooled him, yet he still helps to cover up the situation.

Though it impacts millions of people (not to mention the whole globe), this narrative is also about these individuals in particular, and that characteristic is shared by all six episodes. Jesse Moss-directed “Payday,” which concentrates on the narrative of Scott Tucker, a payday loans entrepreneur, is essential to its success. The episode starts with Tucker’s elite racing cars being confiscated by the authorities. Tucker is a character who may easily be depicted as almost cartoonishly wicked, taking advantage of low-income families in order to make a profit.

In spite of that, Moss is more concerned about how Tucker deals with his own guilt. It seems that Tucker’s favorite topic of conversation is the ways in which he has been wronged. Tucker’s hypocrisy is highlighted by Moss’s meticulous framing, which often focuses on a beautiful chandelier or an opulent grill. That’s all Tucker needs from the camera; he looks more than capable of doing it on his own.

Erin Lee Carr’s “Drug Short,” unlike Tucker’s, has just news videos of the wrongdoers. Valeant Pharmaceuticals and CEO Michael Pearson are the centers of “Drug Short,” the greatest episode of the series, which follows reporters and short-sellers who discovered the firm was constructed on shaky foundations. When Carr poses a question and holds back the answer, the spectator is left to figure it out on their own—one such example, in which she inquires as to why a subject has requested anonymity, is especially powerful.  

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