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Succession is more than a television series – it is a thought-provoking exploration of the human condition through the prism of power. Look at season 4!

‘Succession’ All the questions we’re asking after season 4

In a landscape where television is often no more nourishing than a bag of popcorn, HBO’s Succession offers a veritable feast for the intellect. This complex chronicle of the Roy family’s empire offers an incisive examination of power, family dynamics, and the ramifications of unchecked ambition.

Let’s take a look at where we all go from here.

Power and ambition

Under the majestic direction of Jesse Armstrong, Succession is a master class in character development and storytelling. It casts a discerning eye on the inner workings of Waystar Royco, a media conglomerate reminiscent of the Murdoch empire. The audience is privy to the unabating tension and Machiavellian intrigue that entwine the corporate boardrooms.

Kendall Roy, the tormented scion portrayed with gut-wrenching brilliance by Jeremy Strong, is a man constantly on the precipice. His oscillation between seeking paternal approval and attempting to overthrow his father’s dominion is emblematic of the multifaceted nature of human aspirations.

His sister, Siobhan “Shiv” Roy, is a no less complex character. In her, we see an incisive critique of the modern corporate woman’s quandary: the incessant balance between personal life and career, and the question of whether one’s gender can be both a weapon and a shield.

Family bonds? 

Though opulent in its settings, Succession presents the austere face of familial bonds within the echelons of power. Logan Roy, played with imperious magnetism by Brian Cox, emerges as the patriarch whose looming shadow is cast not only across the business but also on the fragmented psyches of his children. 

His towering presence is a testament to the complex tapestry of family – where love, often unspoken and harshly expressed, contends with the cutthroat pragmatism of corporate survival.

The Roys are painted in shades of grey, inhabiting a world where bonds are as much about blood as they are about the relentless pursuit of legacy. Their interactions are a battleground where the swords of affection and disdain are unsheathed with equal fervor. In the Roy family, we witness the contradictions that are emblematic of the human condition.

Social commentary

Succession is not content to merely offer character studies; it extends its sinewy grasp to envelop the wider society within its narrative. The show is an indictment and reflection of the state of modern media, and by extension, the society it serves and shapes. Through the lens of the Roys, we are asked to ponder the ramifications of media as not just the Fourth Estate but as a power player in its own right.

Through the stratagems and schemes that permeate Waystar Royco’s corridors, Succession holds a mirror to the disquieting nexus of media, power, and politics. It casts doubt on the veracity and integrity that are supposed to be the backbone of the media sector. By chronicling the intrigue within a media empire, it forces us to question the pillars of our own society.

Labyrinth tales

Succession is more than a television series – it is a thought-provoking exploration of the human condition through the prism of power. It weaves a labyrinthine tale that chronicles the ambitions, frailties, and underlying humanity of its richly-drawn characters. 

As we prepare ourselves for the next season, it beckons us to not only ask what is next for the Roys, but also what their saga tells us about our own world. How does power shape us, and at what cost does ambition come? 


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