Ana de Armas all movies list: Complete filmography

Ana de Armas has moved from early Spanish-language films to major studio releases and streaming blockbusters in less than twenty years. Her filmography shows a clear shift from supporting parts in period dramas to lead roles in action franchises and prestige biopics. The timing matters because her latest projects are already hitting theaters and streamers while new ones sit in development.

Early Cuban and Spanish work

Her screen debut arrived in 2006 with Una rosa de Francia, a Spanish-Cuban co-production filmed when she was still a teenager. The story follows a young woman leaving Havana for Spain, and the role marked the first credited entry on what would become a long list.

Madrigal and El edén perdido both premiered in 2007, giving her early leading and supporting experience in local productions. One was shot entirely in Havana; the other explored family secrets in post-Civil War Spain. Neither reached wide American audiences, yet both built the résumé that later studios examined.

Mentiras y gordas and Ágora closed out the decade. The first was a youth ensemble; the second placed her in a large-budget historical epic directed by Alejandro Amenábar. The pattern shows steady movement from small features to bigger Spanish productions before the leap to English-language work.

First English-language steps

Knock Knock in 2015 introduced her to U.S. viewers as one half of a home-invasion duo opposite Keanu Reeves. The limited theatrical release still generated enough attention to open doors in Los Angeles. Exposed followed the next year with another Reeves pairing, though it bypassed theaters in many markets.

War Dogs arrived the same year and gave her first taste of a major studio ensemble. Todd Phillips directed the true-story comedy about arms dealers, and the Warner Bros. credit signaled she could hold her own alongside established names like Jonah Hill and Miles Teller.

Overdrive in 2017 kept her in the action lane with a lead role as a car thief in Europe. The film received limited release, but the experience proved useful when larger franchises later needed performers comfortable with stunts and chases.

Breakthrough studio films

Blade Runner 2049 placed her in a high-profile sci-fi sequel directed by Denis Villeneuve. Playing Joi, the holographic companion to Ryan Gosling’s character, earned critical notice and widened her international profile. The worldwide box-office success helped studios view her as bankable.

Hands of Stone and The Informer filled 2017 and 2019 with supporting parts in a boxing biopic and an undercover crime thriller. Neither became signature roles, yet both kept her working with recognizable talent while she waited for the next defining project.

Knives Out became that project. Rian Johnson’s whodunit cast her as nurse Marta Cabrera in an ensemble that included Daniel Craig and Chris Evans. The Netflix release turned the film into a mainstream hit and positioned her as a lead capable of carrying both mystery and emotional weight.

Franchise and streaming era

No Time to Die in 2021 brought global attention through the James Bond franchise. Her brief but memorable turn as CIA agent Paloma in Daniel Craig’s final outing grossed more than $770 million worldwide and introduced her to audiences who rarely track independent or streaming titles.

The Gray Man followed in 2022 as one of Netflix’s most expensive originals. Directed by the Russo brothers, the action thriller paired her again with Ryan Gosling and Chris Evans. The film’s scale reinforced her action credentials and kept her in conversation for future franchise work.

Ghosted arrived on Apple TV+ in 2023, shifting tone with a romantic action comedy opposite Chris Evans. The project showed range while satisfying streaming platforms hungry for star-driven originals that mix genres.

Prestige and controversy

Deep Water reunited her with Ben Affleck in an Adrian Lyne erotic thriller that moved to Hulu after a delayed theatrical run. The pairing drew tabloid interest, but the film itself received modest attention compared with her larger studio releases.

Blonde, also released in 2022, cast her as Marilyn Monroe in Andrew Dominik’s NC-17 adaptation of the Joyce Carol Oates novel. The performance earned both praise and criticism, and the rating restricted its reach on Netflix. Still, the lead role confirmed she could anchor a high-profile dramatic project.

Sergio in 2020 had already tested her dramatic range in a Netflix biopic about UN diplomat Sergio Vieira de Mello. Wagner Moura starred, and the streaming platform gave the film wider distribution than a traditional arthouse release might have achieved.

Recent and upcoming releases

Eden reached theaters in 2024 under Ron Howard’s direction. The survival thriller set on a remote island featured an ensemble that included Jude Law and Vanessa Kirby, keeping her in the company of directors and actors who routinely draw awards-season attention.

Ballerina, the John Wick spin-off, is slated for 2025 with de Armas in the lead as a female assassin. The franchise connection expands her action audience and positions her for potential follow-up entries if the film performs.

Additional projects remain in development without firm release dates. The pattern suggests continued movement between studio tentpoles, prestige streaming titles, and franchise extensions rather than a single lane.

Streaming availability patterns

Many of her earlier Spanish films surface on niche platforms or rental services rather than major streamers. Availability shifts frequently, so viewers tracking the full list often rely on rotating catalogs rather than permanent libraries.

Post-2019 titles lean heavily toward Netflix, Apple TV+, and Hulu. Knives Out, The Gray Man, and Blonde all launched or landed on these services, reflecting industry preference for star-driven content that travels across borders.

Theatrical releases like No Time to Die and Eden still generate the widest initial awareness. Subsequent streaming windows then extend their reach, creating a two-step release model that benefits both box-office numbers and long-tail viewership.

Career trajectory summary

The progression from small Spanish productions to Bond and John Wick entries shows deliberate movement toward larger budgets and wider audiences. Each phase built skills—period drama, thriller, action, prestige biopic—that later projects could reference.

Ensemble casts have served as reliable entry points. War Dogs, Knives Out, and The Gray Man placed her alongside established stars, reducing risk for studios while giving her exposure to directors who control major franchises.

Lead roles in Blonde and Ballerina indicate the next phase may favor star vehicles over supporting parts. Whether those films succeed or underperform, the volume of upcoming work suggests continued demand rather than a cooling-off period.

what comes next

Her filmography now spans nearly two decades and multiple industries, from early Cuban-Spanish features to current franchise and streaming commitments. The next few years will test whether that breadth translates into sustained headliner status or settles into reliable supporting work across platforms.