‘Margin Call’ – Should You Watch This Movie If You Are a Trader?
Many individuals all across the globe believe that movies are an inextricably linked aspect of our life. We can learn a lot from them. Margin Call is no different. Despite the fact that it covers a variety of issues, one of the most important is the financial sector and how it functions. Many aspects that are related to financial markets may be found in this film, which is primarily aimed at financial traders. So, let’s get started on this movie review and see whether it’s a smart idea to see it when you’re a financial trader or not.
Margin Call – Is This Film Right For The Traders?
The bankers and brokers who have been the target of public ire and Occupy Wall Street protesters, have been said to have wounded emotions. The unfortunate and hardworking people have been vilified and ridiculed for it. Humans aren’t the only ones who make up the “1 percent,” but they’re certainly not the only ones who make up the “99%,” either.
They’re just as much of a threat to the rest of us as the “1%.” The theme of J. C. Chandor’s “Margin Call,” which is one of the best movies about forex trading, goes a long way toward humanizing the people responsible for the 2008 financial disaster.
Because of its unrelenting honesty and clever insight, the film is unlikely to soothe the pride of the current or aspiring ruling elite, even if it is well-received by the public. By refusing to moralize in this narrative of lust and avarice, only serves to make it even more devastating.
Instead of operatic monologues criticizing or glorifying avarice, there are no villains here. It’s just a group of men (and one lady, Demi Moore) in sharp suits in a mood of silent terror trying to avert a worldwide disaster they’ve brought upon themselves.
Rather than the rage evoked by “Inside Job,” Charles Ferguson’s outstanding muckraking documentary on the genesis of the financial catastrophe, seeing these people go about their work leaves you feeling a mixture of fear, hatred, sorrow, and uncertainty.
Also, above all, appreciation for a very remarkable cinematic accomplishment. Despite the fact that “Margin Call” is Mr. Chandor’s debut feature film, it is hard to believe. I am awed by his ability to convey more than he displays or expresses via the subtlety of his body language and the vocabulary he employs. The film’s action, which consists mostly of phone conversations and rushed meetings, takes place in the Manhattan offices of a fictitious investment firm (loosely based on Lehman Brothers).
“Margin Call” is a suspenseful thriller with a quiet, tense soundtrack by Nathan Larson. As a horror film, danger lurks like an unseen monster outside the windows of skyscrapers and behind the computer displays. In a way, it’s a comedy set in the workplace. These obscene stories of business machismo are clearly influenced by David Mamet’s fast-paced, syncopated speech and twisty storyline. The appeal of power, the kinkiness of money, and the grace of numbers are all entwined in the dark romance of capital.
It’s impossible to be innocent in a world where no one is clearly bad. Even while Peter Sullivan (Zachary Quinto) may be the film’s hero, he may also be seen as a metaphor for the way the system corrupts and uses its most noble and honest members of society. When Peter is working late one night on a mathematical model, he sees a hint of the end times lurking in the shadows.
While “Margin Call” is realistic in its depiction of 2008’s financial crisis, it is not Mr. Chandor’s goal to retell the events of that year. Instead, he aims to examine the psychological and ethical dilemmas faced by individuals who saw the abyss and then pushed everyone else into it.
As an enforcer, Will (Paul Bettany) would be a low-ranking member of a gang, but he lacks genuine power. It is one of Kevin Spacey’s best performances as a world-weary Sam Rogers. Sam is in charge of the sales team that has been hawking the dubious securities, and he now has the unpleasant task of conveying the bad news further up the corporate ladder.
An explosive confrontation occurs with Sarah Robertson (Ms. Moore), who seems to be responsible for the scheme’s promotion and may have disregarded warnings about its eventual demise.
There is a recurring joke that the further up one gets in the company, the less one understands what they are doing. There are many instances of “I don’t understand any of it” when it comes to the revelation of Peter’s existence by Will and then Sam and finally Tuld. Another absurdity: Eric Dale (Stanley Tucci), Peter’s mentor, was just let go because he didn’t understand it. In order to protect themselves, his phone has been turned off as a precaution, making it impossible for his increasingly anxious former coworkers to contact him.
Nobody has the ability to accomplish anything. Margin Call’s most unsettling and convincing characteristic is how quickly and calmly its damage control drama develops. For the sake of a vaguer idea, the current repercussions are recognized and then coldly accepted.
