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The 17th annual Tribeca Film Festival revealed its feature film lineup earlier this month, and with the start date fast approaching, we’ve decided to help ease up those busy schedules by offering ten of the feature premieres we think are worth a watch.

The hottest indie flicks at Tribeca Film Festival 2018

The 17th annual Tribeca Film Festival rolled out its feature lineup in early 2018, spotlighting nearly a hundred films across twelve days. With the calendar now set, ten premieres still stand out for their sharp writing, committed performances, and the way they captured the independent scene at that moment. Tribeca remains the right place to watch those films take their first steps.

Obey

Directed and written by Jamie Jones, Obey is a contender within the International Narrative Competition category. The film itself is a harrowing tale set in the midst of the London riots, in which 19-year-old Leon (Marcus Rutherford) grapples with the stark reality of his life and relationship with his alcoholic mother while falling in love for the first time. The picture picked up the Best Cinematography (Debut) prize at the festival and later reached UK viewers through Sky Cinema.

The Party’s Just Beginning

Karen Gillan’s behind this cheeky and surreal coming-of-age flick, as director, writer, and lead actress. Her character is a sharp-witted, foul-mouthed, heavy-drinking twenty-something, who is faced with having to deal with her best friend’s suicide. The film is described as “a love letter to Gillan’s hometown in the Scottish Highlands.” It moved into US limited release through The Orchard in December 2018 and reached the UK the following year via Blue Finch.

Egg

Directed by Marianna Palka (Good Dick) and written by Risa Mickenberg (Capitalism: A Love Story), this unflinching satire follows two couples and a surrogate, as they lay out the inevitable complications, contradictions, heartbreak, and absurdities of the both situation and how we as a society think about motherhood. Gravitas Ventures gave the film a theatrical and digital rollout in January 2019.

All About Nina

Writer and director Eva Vives put together this film literally all about Nina (Mary Elizabeth Winstead) – a woman whose passion and talent have made her a rising star in the comedy scene. However, offstage it’s a totally different story. As a result of her messy personal life, Nina flees to Los Angeles where she meets Rafe (Common) who challenges almost every preconception she has, including her troubled past. The Orchard acquired the rights and delivered a September 2018 release that drew fresh attention to Winstead’s work.

Disobedience

Directed and written by Sebastián Lelio (A Fantastic Woman) and starring Rachel Weisz (The Lobster) and Rachel McAdams (The Notebook), Disobedience follows a woman as she returns to the community that shunned her decades earlier for an attraction to a childhood friend. Once back, their passions reignite as they explore the boundaries of faith and sexuality. The film landed its US premiere at Tribeca after earlier festival stops and collected several BIFA nominations, including Best British Independent Film.

Love, Gilda

As the opening film for Tribeca 2018, Love, Gilda is a documentary that opens a window into the world of the acclaimed Emmy and Grammy award-winning comedian Gilda Radner (Haunted Honeymoon). The portrait earned warm notices for its archival material and the way it framed Radner’s too-brief career.

Ghostbox Cowboy

Ghostbox Cowboy is the new flick from writer-director-cinematographer John Maringouin (Big River Man). In this darkly comedic morality tale, tech entrepreneur Jimmy Van Horn (played by one half of the Zellner brothers, David) travels to China armed with an invention and a buttload of confidence, only to learn that being American is not enough to succeed. Dark Star Pictures stepped in for North American rights and arranged a late-2018 release.

Stockholm

Directed and written by Robert Budreau (Born to Be Blue), this Ethan Hawke-starring movie tells the strange story of the infamous 1973 hostage crisis in Stockholm – the events that captured the attention of the world and ultimately gave a name to a new psychological phenomenon: Stockholm syndrome. Smith Global Media brought the film to US theaters in April 2019.

Untogether

With Emma Forrest as writer and director and starring real-life sisters Jemima (The Little Hours) and Lola Kirke (Gone Girl), Untogether follows a former writing prodigy who tries not to fall for her one-night stand, while her sister is busy throwing herself into a newfound religious zeal. The project marked Forrest’s feature directorial debut and gave the Kirke siblings a chance to work together on screen.

Zoe

Last, but by definitely no means least, Tribeca’s centerpiece is not one to miss – the world premiere of Drake Doremus’s sci-fi romance Zoe, starring Ewan McGregor (Trainspotting), Léa Seydoux (Blue Is the Warmest Color), Rashida Jones (Parks and Recreation), and Theo James (Underworld Awakening). Set in the future where new technology can simulate the feeling of true love, two colleagues seek a connection that’s real. Amazon Studios released the film the following July, and it drew a 32 percent score on Rotten Tomatoes.

Where Are They Now: Cast and Crew Updates

Many of the talents who premiered work at Tribeca 2018 kept moving forward. Karen Gillan stepped from The Party’s Just Beginning into continued franchise roles and independent projects. Mary Elizabeth Winstead earned fresh praise for her lead turn in All About Nina and later expanded her range across drama and genre pictures. Directors such as Sebastián Lelio and Drake Doremus continued to land features and festival slots, while Emma Forrest’s debut opened doors for additional screenwriting assignments. The 2018 slate proved to be a reliable launchpad rather than a one-off moment.

Tribeca 2026: A Quarter-Century Milestone

By 2026 the festival reaches its 25th edition, running June 3 through 14 with a record 118 features and 103 world premieres. Programming has expanded to include Viewpoints and the Storytellers Series, giving emerging voices more real estate on the schedule. The growth reflects how the event has widened its scope while still honoring the intimate premieres that defined earlier years like 2018.

The Enduring Appeal of Tribeca Indie Premieres

Films that bowed at Tribeca 2018 found paths into distribution and awards conversations. Disobedience collected BIFA attention, and titles such as All About Nina and Ghostbox Cowboy secured theatrical or VOD windows within months of their premieres. Love, Gilda brought archival material to a new audience, while Stockholm introduced Ethan Hawke’s take on the hostage story to wider viewers. Those releases showed how a Tribeca debut can translate into sustained visibility.

Spotlight on Women Directors at Tribeca

Contemporary reports noted that 46 percent of the 2018 slate came from women directors, a figure that continues to shape programming choices. The 2026 edition maintains that emphasis on diverse storytellers, pairing new commissions with established voices. The through-line runs from the 2018 premieres of Marianna Palka, Eva Vives, and Emma Forrest to the broader slate now on offer.

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