Hidden subtleties of Kubrick’s ‘The Shining’
Stanley Kubrick’s 'The Shining' is an immortal work. Unlike almost anything else you’ll ever see, it might just be the greatest horror film ever made.
Superfans reveal ‘Twin Peaks”s endurance
'Twin Peaks' is back on our screens 27 years after the original series. Who better to learn about the phenomenon than from its self-proclaimed superfans?
Casting the ‘Buffy the Vampire Slayer’ reboot
We have a few ideas as to who should play some of the characters in Joss Whedon's new 'Buffy the Vampire Slayer' reboot.
‘Dark Matter’: Here’s why it deserves to be saved
We’re taking a stand for fallen shows like 'Dark Matter', cut down in their prime before getting a chance to unleash their full potential.
‘The Bad Batch’: Sloppy second feature for Amirpour
Ana Lily Amirpour's new film 'The Bad Batch' is as committed to vivid style as its predecessor – but it fits its title a little too well.
Thou shalt laugh: ‘The Little Hours’ tries too hard to be funny
'Decameron'-inspired 'The Little Hours' tries to be a comedy of Monty Python proportions, but is more akin to a juvenile bedroom farce.
Why ‘Top of the Lake’ is still Elisabeth Moss’s greatest role
The types of roles she repeatedly takes on prove Elisabeth Moss has a strong personal brand. Here's why 'Top of the Lake' is still her greatest role.
Ditch your lightbulbs – ‘GLOW’ is all the incandescence you need
'GLOW', Jenji Kohan’s radiant new Netflix show about famed television franchise 'Gorgeous Ladies of Wrestling', proves everything she touches turns to gold.
‘The Baby-Sitters Club’ for Gen Z: Our predictions for the new show
The adventures of Netflix's 'The Baby-Sitters Club' are definitely a fit for these times. Here are our best ideas for topics the Club can tackle.
What crimes did the inmates on ‘Orange is the New Black’ commit?
It’s hard to remember what inmate is in Litchfield for what. To celebrate the end of 'Orange is the New Black', we remind you who’s in prison and why.