Chyan Lo: Crafting Visual Narratives from Taiwan to New York

Step into the vibrant world of Chyan Lo, a visual artist whose journey from Taiwan to New York is as captivating as the stories she tells. With a background in graphic design and a passion for magical realism, Chyan’s work spans photography, documentaries, and narrative films, each piece reflecting her unique perspective as an immigrant woman. Her artistry is a rich tapestry of Taiwanese identity, the intricate nuances of human relationships, and the everyday poetry found in the lives of East Asian women. Join us as we delve into the mind of this Brooklyn-based creative, exploring the challenges, inspirations, and diverse cultural landscapes that shape her compelling visual narratives.

1. Can you tell us more about your background and how it has influenced your work as a visual artist?

My name is Chyan, and I am a visual artist from Taiwan, currently based in New York. Inspired by magical realism films and literature, sociology, and my graphic design background, my work spans photography, documentaries, and narrative films. I explore themes related to my immigrant female perspective, Taiwanese identity, and the intricate nuances of human relationships.

2. What inspired you to pursue a major in Graphic Design, and how has it shaped your career?

The decision to major in Graphic Design was driven by my passion for visual aesthetics and communication. This background honed my skills in composition and design, which have become integral to my filmmaking process. The ability to balance elements within a frame and the eye for detail developed through graphic design have greatly influenced my work in visual storytelling.

3. How did you transition from working in Taiwan to establishing yourself in the vibrant city of New York?

Transitioning from Taiwan to New York involved a significant cultural shift. Initially, I started as an intern in the film/TV industry in Taiwan, gradually climbing the ladder through various roles in commercials, films, and TV series. My craving for a diverse creative approach and enriched cultural experiences eventually led me to the vibrant city of New York, where I could further explore and expand my artistic vision.

4. Can you share some of the challenges you faced while climbing the ladder in the film/TV industry?

Climbing the ladder in the film/TV industry presented numerous challenges, including navigating a highly competitive environment, facing cultural barriers, and balancing multiple roles. Each project demanded adaptability and resilience, pushing me to continuously learn and grow as an artist. Overcoming these challenges has been a testament to my dedication and passion for visual storytelling.

5. What drove you to explore diverse creative approaches and different cultural environments in your work?

My drive to explore diverse creative approaches stems from a desire to tell stories from varied perspectives and to immerse myself in different cultural environments. This exploration allows me to gain a deeper understanding of human experiences, enriching my narratives and bringing authenticity to my work. Embracing diversity has been crucial in shaping my artistic journey.

6. How did your narrative short film, SORRY FOR YOUR LOSS, come about, and what message do you hope to convey through it?

SORRY FOR YOUR LOSS emerged from a minimalist exploration of women’s stories, death, and limbo. Through this narrative short film, I aim to convey the complexities of grief and the silent struggles faced by women. It serves as a reflection on loss and resilience, inviting the audience to delve into the emotional depth of these experiences.

7. Can you describe the process of creating WOMEN IN MARKETS and the significance of its poetic approach?

Creating WOMEN IN MARKETS involved wandering through various East Asian markets and neighborhoods in New York with my camera. Observing the interactions within these markets, particularly the gender roles, inspired a poetic approach to highlight the grounded sense of everyday life. This documentary short uses monologues to gently illuminate the gender dynamics in East Asian family structures, capturing the poetry of these moments.

8. What inspired the story of YESTERDAY I DREAMT ABOUT, and what themes do you explore in the film?

YESTERDAY I DREAMT ABOUT is inspired by the struggles of an immigrant artist in New York facing visa expiration. The film delves into themes of identity, displacement, and the pursuit of dreams amidst uncertainty. It reflects the emotional and psychological challenges of navigating life as an immigrant, offering a poignant commentary on resilience and hope.

9. How do you balance your roles as a director, art director, videographer, editor, and photographer on various projects?

Balancing multiple roles in various projects requires adaptability and a deep understanding of each department’s responsibilities. As a director, knowing the intricacies of different roles enhances communication and collaboration. My ability to quickly learn and transition between roles adds flexibility to my work, allowing me to bring a holistic perspective to each project.

10. What drew you to the themes of magical realism, feminism, and slow cinema in your storytelling?

Magical realism, feminism, and slow cinema resonate with my storytelling approach as they allow for a nuanced exploration of complex themes. These elements create a unique narrative space to address issues of identity, gender, and societal structures. They provide a rich tapestry to weave stories that challenge conventions and invite deeper engagement from the audience.

11. Can you discuss your experience as an art director on PROBLEMATIC and SINGING IN THE LIFEBOAT?

Working as an art director on PROBLEMATIC and SINGING IN THE LIFEBOAT involved creating visually compelling and thematically cohesive environments. It required meticulous attention to detail and a strong sense of visual storytelling. These projects allowed me to collaborate closely with directors and other creatives, enhancing the narrative through carefully crafted visual elements.

12. How do you approach the representation of women’s stories in your films, and what do you aim to achieve through this focus?

In representing women’s stories, I aim to portray the “invisible minority women” who often occupy stereotypical roles. By gradually unfolding their lives and delving into their experiences, I strive to present these characters in a multidimensional manner. My goal is to challenge clichéd narratives and offer new perspectives on women’s roles and contributions, encouraging the audience to engage more deeply with these stories.

13. What are some key elements you consider when working on documentary projects compared to fiction films?

When working on documentaries, authenticity and the organic unfolding of events are paramount. Capturing real-life moments and narratives requires a different approach than fiction films, where controlled environments and scripted scenes dominate. Documentaries demand a keen eye for detail and a sensitivity to the subjects’ experiences, aiming to present a truthful and impactful portrayal.

14. How has your MFA in film from CUNY, City College of New York, contributed to your growth as an artist?

Earning an MFA in film from CUNY, City College of New York, provided me with a robust foundation in filmmaking techniques and theory. It offered opportunities for critical engagement with diverse perspectives and fostered a collaborative environment. This academic experience has been instrumental in refining my craft and expanding my artistic horizons.

15. Can you share more about the monologues of East Asian women in Chinatown featured in WOMEN IN MARKETS?

The monologues of East Asian women in Chinatown featured in WOMEN IN MARKETS highlight the everyday lives and gendered labor dynamics within these communities. Engaging in conversations about dinner plans and cooking for their families, these women reveal the nuances of their roles. The documentary encourages viewers to consider the context and implications of this “involuntary voluntary labor,” offering a poignant reflection on gender and cultural identity.

16. What are some of the cultural and societal frameworks you explore in your films, particularly related to Taiwanese national identity?

In my films, I explore cultural and societal frameworks that shape Taiwanese national identity, including the complexities of immigration, cultural heritage, and the intersection of traditional and modern values. These narratives aim to shed light on the diverse experiences of Taiwanese individuals and communities, offering a rich tapestry of stories that reflect the multifaceted nature of identity.

17. How do you integrate your aesthetic education in graphic design into your filmmaking process?

My background in graphic design significantly influences my filmmaking process, particularly in composition and cinematography. Finding balance within a frame comes intuitively, but I also challenge myself to “break the frame” and discover organic balance in the flow. This integration of design principles enhances the visual storytelling aspect of my films.

18. What are some of the most memorable experiences you’ve had working on award-winning films and TV series?

Working on award-winning films and TV series has been a journey filled with memorable experiences, from collaborating with talented teams to witnessing the impact of storytelling on audiences. Each project has offered unique challenges and rewards, contributing to my growth as an artist and enriching my understanding of the power of visual narratives.

19. Can you discuss the impact of your work being featured in festivals like the Bushwick Film Festival and the Asian American Film Festival?

Having my work featured in festivals like the Bushwick Film Festival and the Asian American Film Festival has been immensely gratifying. It provides a platform to reach wider audiences and engage with diverse perspectives. These festivals celebrate creativity and cultural diversity, and being part of them reinforces the importance of my work in contributing to meaningful conversations through film.

20. How do you see the role of visual storytelling evolving in the current media landscape?

Visual storytelling is evolving rapidly, with audiovisual media becoming shorter, faster, and more designed for quick consumption. While this trend offers new opportunities for creativity, it also poses challenges for content that requires deeper engagement. As creators, we must balance these dynamics, crafting narratives that resonate in both traditional and contemporary formats.

21. Can you tell us more about your upcoming projects and what audiences can expect from them?

I recently created an experimental short film shot on 16mm film and am currently working on the sound. This project explores non-narrative storytelling, inviting open interpretation and viewer engagement. Unlike my previous works, it doesn’t embed strong thematic issues but instead incorporates intuitive symbols, encouraging audiences to share their interpretations.

Finally, what advice would you give to aspiring visual artists and filmmakers looking to break into the industry?

For aspiring visual artists and filmmakers, my advice is to remain persistent, embrace learning opportunities, and continuously refine your craft. Building a network of collaborators and mentors can provide valuable support and insights. Most importantly, stay true to your unique voice and vision, and let your passion drive your creative journey.