Why is Jessica Chastain supporting this “villain” in her next movie?
Jessica Chastain stepped into the role of televangelist Tammy Faye Bakker in 2021’s The Eyes of Tammy Faye, a project that reframed a much-maligned public figure. The film’s release gave audiences a fresh look at Bakker’s life beyond the tabloid punchlines of the late eighties and early nineties, and Chastain’s performance has kept the conversation alive long after opening weekend.
Tammy Faye Bakker
Chastain first acquired the rights through her production company Freckle Films in 2012. The script drew directly from the 2000 documentary of the same name directed by Fenton Bailey and Randy Barbato. Bakker built a national following with her outsized personality, colorful makeup, and gospel-infused broadcasts, only to find herself collateral damage when her husband Jim Bakker was convicted on fraud and conspiracy charges. She was never charged with any crime, yet the public often treated the couple as interchangeable. The feature film reached theaters on September 17, 2021, preserving that documentary foundation while expanding the story into a full-scale Hollywood production.
Nothing seedy
Chastain told Entertainment Weekly that her research turned up no evidence to support the “seedy” narrative that had followed Bakker for decades. She noted that Bakker had never been tried for theft, had donated music royalties to the church, and had recorded roughly twenty albums. Chastain concluded the portrayal amounted to “righting a wrong of a sexist culture that she was vilified in.” Those remarks aligned with the film’s larger goal of separating Bakker’s personal record from the crimes committed by her ex-husband.
Large scale & lavish
The story of Bakker’s lavish lifestyle came with nuance. Chastain pointed out that income from books and music would have supported a comfortable standard of living even without church funds. Searchlight Pictures released the film on September 17, 2021, with Michael Showalter directing and Chastain producing through Freckle Films. The finished picture balanced period detail with a clear-eyed look at how media and gender expectations shaped the public’s view of Bakker.
Awards and Recognition
Chastain’s work earned the Academy Award for Best Actress along with Critics’ Choice and Screen Actors Guild honors. Those wins validated the decision to revisit Bakker’s story at a moment when many viewers were reconsidering how female public figures had been treated by late-night comedy and tabloid coverage. The awards circuit turned the film into more than a period piece; it became a benchmark for sympathetic biopics that push back against earlier caricatures.
Box Office and Reception
The movie opened in roughly 450 theaters and grossed about $675,000 in its first weekend. Domestic totals reached approximately $2.4 million, a modest figure that reflected pandemic-era viewing habits more than audience rejection. Critics registered a 68 percent score on Rotten Tomatoes, while CinemaScore voters gave the film a B-plus. The numbers underscored that the project’s impact would be measured less by ticket sales and more by the conversations it sparked about media bias and redemption narratives.
Cultural Legacy and Adaptations
Interest in Bakker’s story extended beyond the screen. A stage musical titled Tammy Faye, featuring music by Elton John and lyrics by Jake Shears, premiered in London in 2022 and is slated for Broadway during the 2024-2025 season. The production continues the project of re-examining Bakker’s public image, this time through song and live performance. Its arrival shows that audiences remain curious about the gap between the caricature and the woman who once told viewers that faith and compassion could coexist with flamboyant eyeliner.
Chastain’s Later Reflections
In a 2022 interview with Katie Couric, Chastain returned to the theme of acceptance that drew her to the role. She highlighted Bakker’s belief that everyone deserves love without judgment and spoke about wanting to celebrate the positive contributions Bakker made to her audience. Those comments reinforced the research Chastain had shared at the time of the film’s release and underscored her commitment to portraying Bakker as a multidimensional figure rather than a punchline.
The Eyes of Tammy Faye ultimately shifted the frame around a woman long defined by scandal. Chastain’s research, the film’s awards recognition, and the continuing stage adaptation each added layers to a story that had once been reduced to late-night jokes. The result is a more measured portrait that lets Bakker’s own words and actions speak louder than the headlines that once overshadowed them.

